Two days after viewing the telecast of Phèdre from National Theatre of London, I am still in a dazed state by the incredible play and its pitch-perfect performance, except for a less than noble and tragic Theseus, and the occasionally too nimble camera works. Many details replayed in my mind vividly – a meaningful gesture, a well-executed body movement, a most poetic line and its precise and spontaneous delivery, a delightful lighting and new angle of scenery. It was the theater art in the highest order. This play, seen in cinema, was the best movie theater experience of mine in many years. The performance and production was also one of my best theater going experiences, along with an exulted list including King Lear, Savage Land, Desire Under the Elm in Shenyang, China, Hecuba in London, Oresteia (last 10-15 minutes excluded), The Miser, Figaro, Finn in the Underworld, The Secret In The Wings, Argonautika (Berkeley Repertory Theater), Saint Joan (Aurora Theater), Medea, The Tea House, and The Servant to Two Masters (Cal Performances) in Berkeley, California.
The play was not over produced therefore the audience could savor the poetry of Racine, instead of being distracted by extraneous efforts, which often than were unnecessary. As Phèdre, Helen Mirren was simply majestic, in this guilt-ridden, death-seeking pitiable woman/monster. When Phèdre perished, a new goddess was born. I cannot express my gratitude enough to National Theatre for bringing this performance to me, since traveling to London for a seat might not be available is just too cost prohibitive. Many thanks to Peter Gelb, the general manager of Metropolitan Opera, who ushered in these theater-cinema alliances all over the world. Bravo!
There are three more plays from National Theatre for simulcasting in cinemas in this pioneer season. The $25.50 per seat was really paltry offering we can provide to the highest pursuit of human kind – art.
For a cost of $0, there will be a free simulcast performance in the upcoming season – San Francisco Opera is bringing Giuseppe Verdi’s Il Trovatore, in a much-praised new production, to AT&T Park, Saturday, September 19, 2009. The cast includes a quartet of most sought-after singers and will be led by SF Opera’s new music director Nicola Luisotti. If you want to sample a new art form, Il Trovatore is a very good introduction. Do give yourself a treat and sign-up for a seat early.
Sunday, July 26, 2009
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