Wednesday, December 14, 2016

My Favorite Paintings at Museum of Contemporary Art (MOCA), Los Angeles

The relatively modest Museum of Contemporary Art (MOCA) in Los Angeles didn't overwhelm people with blockbuster pieces, as other Museums in Los Angele often did, yet it invited conversation and thoughts with some austere pieces.

My favorite was a mixed media on paper titled Dêpouille (Skin or Human Remains) (1945) by French artist Jean Fautrier (1898-1964). The strongest impression of this abstract piece was the understated, appealing palette, which consisted of pale brownish yellow and red, underneath some intermittent light blue wash. The main object, occupying almost the entire paper, shaped like a giant pearl upon its irregular shaped mother shell. Yet, once the title sank in, this amorphous object took on a sinister meaning and darker tone, and the imagined sheen of a piece of jewel morphed into rough and cracked mass, symbol of the degeneration of bodies.

DSCN0461 _ Dêpouille (Skin or Human Remains), 1945, Mixed media on paper mounted on linen, Jean Fautrier (1898-1964), MOCA, LA, October 2014
Dêpouille (Skin or Human Remains), 1945, Mixed media on paper mounted on linen, Jean Fautrier (1898-1964)

At first glance, Franz Kline (1910-1962)'s 1956 oil painting, Monitor, was a pure abstract piece, consisted only white and black paints. The wet over wet effect of the merge and interplay of these sharply contrasted colors was both dramatic and subtle. The boldness of the gigantic central black "beam" also contrasted wonderfully to a very thin dark stroke, fading into far distance, and aided by a small pole at the end of that disappearing stroke, thus added more focal interest to these ever entangled and extending objects, instantly a broad space was opened up for the viewer. After the dramatic impact of the high contrast had dissipated, I realized that one of those protruding object in the center of the canvas was actually indeed a traffic or security monitor, atop of a huge horizontal beam, pointing to unseen and perhaps unaware people, beyond the edge of the canvas. Beautiful and disturbing. 

DSCN0456 _ Monitor, 1956, Franz Kline, MOCA, LA, October 2014
Monitor, 1956, Oil on Canvas, Franz Kline (1910-1962)

My Favorite Museum Collection Series
>> My Favorite Museum Collection Series 156: My Favorite Paintings at the Broad Museum, Los Angeles
<< My Favorite Museum Collection Series 154: My Favorite Paintings at Los Angeles County Museum of Art (LACMA)

List of My Favorite Artworks in the Museums I've Visited

Other Related posts on Art · 文化 · Kunst:
- LACMA - Los Angeles County Museum of Art
- Getty Villa in Los Angeles (Malibu)
- The Museum of Contemporary Art (MOCA) in Los Angeles
- Brand New Contemporary Art Museum - The Broad Museum in Los Angeles
- Urs Fischer Exhibit at MOCA, Los Angeles
- Revisiting Norton Simon Museum in Pasadena
- Anderson Collection at Stanford University
- Paintings at Cantor Arts Center, Stanford University
- Surprisingly Urbane Los Angeles

No comments:

Post a Comment