A landscape as an enigma is the impression of my monochromatic oil painting, Interlocked,
which depicts a semi-abstract, difficult to decipher landscape, under
the threat of heavy and broadly zigzagged clouds in the upper region,
while underneath, an orderly and calm swatch of staggered and slightly
angled roofs, indicates order, and furthermore, social hierarchy and
constraints. The dripping liquids permeating the landscape lends the
notion of connectedness and the interlocking nature of the environment,
natural or man-made.
Interlocked
Oil on Canvas
30” x 24”
Completed in 2018
Originally posted on matthewfelixsun.com
Other Related posts on Art · 文化 · Kunst:
- Featured Painting - July Meteors
- Featured Painting: Time Frame
- Featured Painting - Our Winter of Discontent
- Featured Painting -- Congregation
- Featured Drawing "Formation"
- Featured Painting "Birches"
- My Featured Painting - "Paris and Three Goddesses"
Monday, December 31, 2018
Tuesday, October 9, 2018
Featured Painting – Brook
My little idyllic painting, Brook, depicted a thin stream
snaking through a quiet grove, seen through imposing placed black
trunks in the foreground, and enclosed by delicate silhouettes in the
background, behind shimmering bright light like a liquid curtain. The
sedate creek, painted impasto, with paints dragged downward rough bottom
edges, as if a living creature planting its roots or sinking its teeth
into the meadow; meanwhile, its varying somber colors, and the
impossible spatial relationship between the tree trunks and the
seemingly floating creek forks, simultaneously ups and downs, and in
front of and behind those tree trunks, created a sense of
disorientation, uneasiness, and otherworldliness.
Brook
Oil on Canvas
20” x 24”
Completed in 2018
Originally posted on matthewfelixsun.com
Other Related posts on Art · 文化 · Kunst:
- Featured Painting - July Meteors
- Featured Painting: Time Frame
- Featured Painting - Our Winter of Discontent
- Featured Painting -- Congregation
- Featured Drawing "Formation"
- Featured Painting "Birches"
- My Featured Painting - "Paris and Three Goddesses"
- My Featured Painting - Colony
- My Featured Painting - New Century's Shangri-La
- My Featured Painting - Procession</
Brook
Oil on Canvas
20” x 24”
Completed in 2018
Originally posted on matthewfelixsun.com
Other Related posts on Art · 文化 · Kunst:
- Featured Painting - July Meteors
- Featured Painting: Time Frame
- Featured Painting - Our Winter of Discontent
- Featured Painting -- Congregation
- Featured Drawing "Formation"
- Featured Painting "Birches"
- My Featured Painting - "Paris and Three Goddesses"
- My Featured Painting - Colony
- My Featured Painting - New Century's Shangri-La
- My Featured Painting - Procession</
Labels:
Landscape,
My Featured Work,
Painting
Thursday, September 27, 2018
A Glimspse of Salesforce Transbay Center in San Francisco
Several weeks ago, the multiple-billion dollars Salesforce Transbay Center in San Francisco opened with great fanfare. On August 25, I took a transbay bus and caught a glimpse of the wonderful building, and the rooftop garden, before two cracks on steel beams forced a hopefully temporary closure two days ago.
The most dominating part of the complex was the slick and phallic Salesforce Tower, which was actually not part of the terminal, but did provide an interesting contrast to the delicate, veiled exterior of the horizontal Transbay Center.
Our bus came to the center via an exclusive bus bridge, at an extremely low speed.
Once entered the building, we had another view of the lattice façade from inside. Intriguing.
There was a certain "public art" inside the terminal building, such as the LCD display, and the tower itself.
The best part of the complex was the rooftop public space - gardens, walkway, theater, etc.
What a shame that two cracks of the supporting steel beams at SF Transbay Transit Center forced its closure. Hopefully, it would be deemed safe soon. But, could we ever trust it? Just as the troubled San Francisco Bay Bridge.
Related posts on Art · 文化 · Kunst:
- San Francisco City Hall Celebrating 10th Anniversary of Same-Sex Marriage
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- Festive San Francisco Civic Center
- Festive San Francisco City Hall and Opera House
- Rainbow Colored San Francisco War Memorial Opera House- San Francisco Ballet Banners
- Christopher Wheeldon's Brilliant Cinderella at San Francisco Ballet
Thursday, September 13, 2018
Featured Painting - July Meteors
The title of this painting, July Meteors, originates from a Chinese phrase, 七月流火, which means that in July, when stars move westbound, cooler weather arrives soon; I have always been drawn to the mystic and somewhat fatalistic image of this concise yet profound phrase, without much understanding.
Right before the Fourth of July this year, suddenly there was some unexpected disturbances took place in my life and I was mostly assailed by shock and dismay, out of all things, and soon I was enveloped in a chill, much colder than the already too cool San Francisco summer.
It was the realization of abrupt and decisive change caused me much alarm and disquietness and then I suddenly understand the meaning of that phrase, and the helplessness sedimented through thousands years of valiant and often futile struggle, and composed this rather evocative abstract piece, to channel my compound feelings.
Originally posted on matthewfelixsun.com
Other Related posts on Art · 文化 · Kunst:
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- Featured Painting - Our Winter of Discontent
- Featured Painting -- Congregation
- Featured Drawing "Formation"
- Featured Painting "Birches"
- My Featured Painting - "Paris and Three Goddesses"
- My Featured Painting - Colony
- My Featured Painting - New Century's Shangri-La
- My Featured Painting - Procession
Labels:
Abstract,
My Featured Work,
Painting
Sunday, September 2, 2018
Glittering Exhibition - "Truth and Beauty: The Pre-Raphaelites and the Old Masters" at Legion of Honor
Truth and Beauty: The Pre-Raphaelites and the Old Masters is the first major international exhibition to assemble works by England’s nineteenth-century Pre-Raphaelite Brotherhood with the medieval and Renaissance masterpieces that inspired them. Important loans of paintings, works on paper, and decorative arts from international collections, as well as works drawn from the collections of the Fine Arts Museums of San Francisco, demonstrate the Pre-Raphaelites’ fascination with Italian masters, including Sandro Botticelli, Raphael, and Paolo Veronese, as well as northern Renaissance painters such as Jan van Eyck and Hans Memling.Though weary of the stilted beauty of the Pre-Raphaelites paintings, I came away enchanted by this well-curated, and sparkling exhibition, which juxtaposed the Pre-Raphaelites and the Old Masters, relating the connections between these two groups, in the timeline of the artistic development of the Pre-Raphaelites. The amazing achievements of the Old Masters were self-evidence; while the Pre-Raphaelites impressed with their virtuosity and romantic beauty, however mannered they could be.
-- Legion of Honor Museum, San Francisco
First group:
The Virgin and Child with an Angel, St George and a Donor, Hans Memling
Virgin and Child Enthroned with Angels, Master of the Saint Lucy Legend
Madonna and Child with Two Angels, Followers of Adriaen Isenbrandt
Virgin and Child, Dieric Bouts and or workshop
The Annunciation, Jan van Eyck
Mariana, John Everett Millais
Portrait of a Man, Lucas Cranach the Younger
The Ransom, John Everett Millais
Group 2:
The Holy Family, Perino del Vaga
Madonna and Child with the Infant St John the Baptist, Piero di Cosimo
Copy of The Annunciation by Fra Angelico, Cesare Mariannecci
The Meeting of Saints Dominic and Francis of Assisi, Fra Angelico
A Crowned Virgin Martyr (Saint Catherine of Alexandria), Bernardo Daddi
The Nativity, The Baptism of Christ, Christ and the Woman of Samaria, Noli me Tangere, Perugino
Giotto Painting the Portrait of Dante, Dante Gabriel Rossetti
Dante's Dream
Valentine Reproaching Proteus for His Falsity, William Holman Hunt
Lorenzo and Isabella, John Everett Millais
Beata Beatrix, Dante Gabriel Rossetti
Group 3:
Idealized Portrait of a Lady, Sandro Botticelli
Idealized Portrait of a Lady, Sandro Botticelli
Madonna and Child with Two Angels, Sandro Botticelli & The Virgin and Child, Workshop of Sandro Botticelli's
Portrait of a Lady Known as Smeralda Bandinelli, Sandro Botticelli
Flora & Proserpine, Dante Gabriel Rossetti
Love and the Maiden, John Roddam Spencer Stanhope
Group 4:
Self-Portrait, Raphael
Lucretia, Paolo Veronese
Portrait of a Young Man with a Green Book, Giovanni Cariani
A Young Woman Holding a Mirror with Her Servant, Parus Bordone
La Pia, Dante Gabriel Rossetti
Lady Lilith, Dante Gabriel Rossetti
Bocca Bacciata - Dante Gabriel Rossetti
The Heart of the Rose, Edward Burne-Jones
Group 5:
The Passing of Venus, Edward Burne-Jones
The Entombment, Parmigianino (Girolamo Francesco Maria Mazzola)
Cupid's Hunting Fields, Edward Burne-Jones
The Wheel of Fortune & The Ascension, Edward Burne-Jones
The Tree of Forgiveness - A Mosaic in Rome, Edward Burne-Jones
Flora & Pomona, Edward Burne-Jones
Exhibition ends on September 30, 2018.
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- "The Political Line" - Keith Haring Exhibition at De Young Museum
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- Preview of the Newly Expanded SFMOMA
- Unauthorized SFMOMA Solo Show
- More Sculptures at Cantor Arts Center, Stanford University
Labels:
exhibition,
Legion of Honor,
Museum,
Old Master,
Pre-Raphaelites,
San Francisco
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