Showing posts with label Retrospective. Show all posts
Showing posts with label Retrospective. Show all posts

Friday, October 2, 2020

Revisiting SFMOMA During Pandemic and David Park's Retrospective

SFMOMA reopened yesterday, and we went today to see the David Park retrospective and quite a few old friends. Like visiting an all-but-forgotten place and time, but now we're back in smoke-n-COVID-n-unraveling-democracy world. Still. Well worth the trip across the Bay...

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The main offer was the David Park, A Retrospective, October 4, 2020–January 18, 2021. It was a glorious exhibition. In the normal years, I would have returned to see it again soon. Hopefully, we will be able to see it before it ends.

IMG_5731 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021 

IMG_5733 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

IMG_5734 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021 

IMG_5735 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0766 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021 DSCN0768 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021 

DSCN0776 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0781 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

IMG_5736 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0788 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0789 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0790 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0793 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0795 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0797 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0798 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

IMG_5737 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0802 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0804 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0807 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0810 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

We also saw drawings from David Park and his circle. These life drawing studio might be the one still in use in UC Berkeley and I probably have spent some time drawing models there as well.

DSCN0825 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0830 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0827 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0833 _ David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021

DSCN0831 - Diebenkorn, David Park A Retrospective, SFMOMA October 4, 2020–January 18, 2021
Richard Diebenkorn 

DSCN0839 _ Franz Klein, SFMOMA
Franz Klein

DSCN0823 _ Robert Motherwell, SFMOMA
Robert Motherwell

DSCN0824 - Cy Twombly, SFMOMA
Cy Twombly

DSCN0822 _ Anselm Kiefer, SFMOMA
Anselm Kiefer Cy Twombly

DSCN0819 _ SFMOMA

DSCN0846 _ Paul Cezanne, SFMOMA
Paul Cezanne

DSCN0845 _ Henri Matisse, SFMOMA
Henri Matisse

DSCN0851 _ Henri Matisse, SFMOMA
Henri Matisse

DSCN0852 _ Max Beckmann, SFMOMA
Max Beckmann

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 Thank you, SFMOMA!

Friday, January 6, 2012

Richard Serra Drawing and 2010 SECA Art Award at SFMOMA

Before the year end, I visited SFMOMA for its Richard Serra drawing retrospective exhibit, a cerebral, intriguing more than exhilaration exhibit.  I enjoyed it very much but due to the photograph restriction, I can only share some images from SFMOMA's website:



They were just as monumental as his more celebrated sculptures, such as the "Sequence", currently in Stanford University and will move to SFMOMA once its new wing completes, though more somber and forbidding.  They were not all drawings - some were done with paint sticks on canvas or linen.  The richness of the texture completely compensated the absence of colors.

I then encountered the 2010 SECA Art Award exhibit, which also included many works from past winning entries.  In those rooms, everything has something to recommend though not every piece struck me as with exceptional depth, incredible beauty or iconographic longevity.  But one piece stood out for its unbridled fun and ever changing shapes and lines - Nest, made of Pencils and Glue, by Gay Outlaw, a 1998 SECA Art Award winner:

Nest, Pencils and Glue, Gay Outlaw, 1998 SECA Art Award _ 9525

Nest, Pencils and Glue, Gay Outlaw, 1998 SECA Art Award _ 9529

Nest, Pencils and Glue, Gay Outlaw, 1998 SECA Art Award _ 9534

Nest, Pencils and Glue, Gay Outlaw, 1998 SECA Art Award _ 9536

Another piece I do live very much was Japanese Maple II, Oil and wax on canvas on panel, by Anne Appleby, 1996 SECA Art Award winner:

Japanese Maple II, Oil and wax on canvas 
on panel, Anne Appleby, 1996 SECA Art Award _ 9523
Japanese Maple II, Oil and wax on canvas on panel, Anne Appleby, 1996 SECA Art Award

Finally, I'll cite a delicate watercolor on paper by Laurie Reid, another 1998 SECA Art Award winner - Love Litany:

Love Litany, Watercolor on paper, Laurie Reid - 1998 SECA Art Award _ 9520
Love Litany, Watercolor on paper, Laurie Reid - 1998 SECA Art Award