Yesterday, 30 December 2012, I returned to De Young Museum in San Francisco for The William S. Paley Collection: A Taste for Modernism, on the very last day of the exhibit, of which The De Young Museum website informed us was "A selection of major works from the William S. Paley Collection at the
Museum of Modern Art in New York.. A pioneering figure in the modern entertainment,
communication and news industries, Mr. Paley (1901–1990) was a founder
of the Columbia Broadcasting System (CBS), and a dedicated
philanthropist and patron of the arts. The Paley Collection, which
includes paintings, sculpture and drawings, ranges in date from the late
19th century through the early 1970s. Particularly strong in French
Post-Impressionism and Modernism, the collection includes multiple works
by Paul Cezanne, Henri Matisse and Pablo Picasso, as well as
significant works by Edgar Degas, Henri Toulouse-Lautrec, Paul Gauguin,
Andre Derain, Georges Rouault and artists of the Nabis School such as
Pierre Bonnard and Edouard Vuillard." It was an astonishingly rich collection and one highlight succeeded another. Though I've seen most of them in New York's MOMA, it was wonderful to see them again, in our home museum. Amongst those wonderful works, I particularly love these below:

The Seed of the Areoi, 1892, Paul Gauguin
Strawberries, c 1905, Pierre-Auguste Renoir
Milk Can and Apples (1879-80), Paul Cezanne
Reclining Nude, 1897, Pierre Bonnard

Two Dancers, 1905, Edgar Degas
Mme Lili Grenier, 1888, Henri de Toulouse-Lautrec

Woman with a Veil, c 1907, Henri Matisse
Seated Woman with a Vase of Amaryllis, 1941, Henri Matisse

Odalisque with a Tambourine, Henri Matisse

Boy Leading a Horse, 1905-06, Pablo Picasso
Still Life with Guitar, 1920, Pablo Picasso

Portrait of Ambroise Vollard, 1925, Georges Rouault

Oasis (Mirage), 1944, Georges Rouault
I also stopped by to see another special exhibit: Rudolf Nureyev: A Life in Dance, which featured photos, video clips and costumes of the great dancer, overwhelming in its opulence and extravagance with a tint of vulgarity, redeemed by his unapologetic conviction.


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