Showing posts with label Economy. Show all posts
Showing posts with label Economy. Show all posts

Thursday, August 1, 2019

Featured Painting – Desolate Souls of Main Street

In recent decades, the economic inequality in the world, propelled by the ever-greedy corporations and individuals, and aided or even championed by purchased colluding governments of various dominance and ideologies, has widened drastically, and the divide between the haves and have-nots has become such an insurmountable gulf that the people behind are increasingly unable to sustain themselves, let alone catching up with those sitting on top of the socioeconomic pyramid. My The Desolate Souls of Main Street attempts to give a tiny protesting voice to the voiceless and faceless downtrodden, whose dire situation, in contrast to the mind-boggling glitzy world of the gilded, is as heart-wrecking as it is damning.

Desolate Souls of Main Street - 大街上的荒涼之魂 - Trostlose Seelen der Hauptstraße  
 Desolate Souls of Main Street
22” x 28”
Oil on Canvas
Completed in 2019


Originally published on matthewfelixsun.com


Other Related posts on Art · 文化 · Kunst
- Featured Painting - Weave
- Featured Painting - Dream Forest
- Featured Painting - Interlocked
- Featured Painting - July Meteors
- Featured Painting: Time Frame
- Featured Painting - Our Winter of Discontent
- Featured Painting -- Congregation
- Featured Drawing "Formation"

Tuesday, January 3, 2012

One Percent in Medieval Europe

One percent and the rest 99 percent have been in the news often lately but it is still hard for one group to image the lifestyle of the other.  What would we say of the 1% population in the US?  What do they own?  What do they do?  Investors/gamblers?  Entertainers?  Athletes?  I could never image what they do in their own time.  The divide was too wide to see across.

However, I got a glimpse of those one percent in medieval France.  Reading "A Distant Mirror - The Calamitous 14th Century" by Barbara W. Tuchman, I encountered a paragraph describing the group people on top of the economical/social ladder:
Not all nobles were grands seigneurs like the Coucys[1].  A bachelor knight, possessor of one manor and a bony nag, shared the same cult but not the interests of a territorial lord.  The total ranks of the nobility in France numbered about 200,000 persons in 40,000 to 50,000 families who represented something over one percent of the population.
The total population of the US today is 312,795,638 (U.S. Census Bureau estimate, 3 January 2012).  Therefore, the 1% of the US population is about 312,800 and if we used the same household size as used by Tuchman, we had 62,560 to 78,200 household in the top 1%.

However, I was not comfortable with that estimate because the household number was decidedly smaller nowadays.  In order to be more accurate, I did more search online and compiled some information here:

CNN Money said that "there were just under 1.4 million households that qualified for entry. They earned nearly 17% of the nation's income and paid roughly 37% of its income tax.  Collectively, their adjusted gross income was $1.3 trillion. And while $343,927 was the minimum AGI to be included, on average, Top 1-percenters made $960,000."

Washington Post had such analysis:
Taken literally, the top 1 percent of American households had a minimum income of $516,633 in 2010 — a figure that includes wages, government transfers and money from capital gains, dividends and other investment income.

That number is down from peak of $646,195 in 2007, before the economic crisis hit, all adjusted to 2011 dollars, according to calculations by the Tax Policy Center. By contrast, the bottom 60 percent earned a maximum of $59,154 in 2010, the bottom 40 percent earned a max of $33,870, while the bottom 20 percent earned just $16,961 at maximum. As Annie Lowrey points out, that gap has grown wider over time: “The top 1 percent of households took a bigger share of overall income in 2007 than they did at any time since 1928.” (And in New York City, it’s even more skewed: the top 1 percent have an average of $3.7 million in income.)

When you look at the disparity in net worth, things look even more skewed. Wealthier Americans have assets — in home equity, stocks and other investments — that generally outstrip their cash income. Average wealth of the top 1 percent was almost $14 million in 2009, according to a 2011 report from the Economic Policy Institute. That’s down from a peak of $19.2 million in 2007.

By contrast, the poorest households were experiencing declines in net worth even before the recession hit. In 2007, the bottom 20 percent of households had an average (negative!) net worth of –$13,800 in 2007, which fell further to –$27,200 in 2009. Altogether, “average wealth of the bottom 80 percent was just $62,900 in 2009 — a dropoff of $40,900 from 2007,” EPI writes. That means the wealthiest 1 percent held an average of 225 times the wealth of the average median household in 2009 — a ratio that was 125 in 1962.
In this advance e- or i- age, the people who sit at the bottom of social and economical ladder may not look and work like dumb beasts literally as in the Middle Age, but their miseries are not dissimilar to those in the medieval time.

The misery of those poor people in the Dark Age were exacerbated by the nobles who disregarded their "social contract".  According to Tuchman in her book, "the object of the noble's function, in theory, was not fighting for fighting's sake, but defense of the two other estates and the maintenance of justice and order.  He was supposed to protect the people from oppression, to combat tyranny, and to cultivate virtue - that is, the higher qualities of humanity of which the mud-stained ignorant peasant was considered incapable by his contemporaries in Christianity, if not by its founder."

I am not championing the absolute wealth equality.  Rather, I want to point out that the rich have many social obligations as those nobles in the medieval time.  They need to care for and protest the poor, to defend civil liberty and oppose political and religious persecution and promote art and literature, etc.  Our one-percenters have failed rather terribly just as the latter-day knights and the nobles.  And we know what happened to them eventually when their greed became utterly uncontainable.



Image source: Wikipedia, courtesy of CJ DUB 

[1] Coucy was in the forefront of action, tied as he was to both France and England. Coucy was a French noble, but he married Isabella, the eldest daughter of Edward III of England. - Wikipedia

Wednesday, January 19, 2011

You'd Think We Living in a Prosperous Time - Two Observations On San Francisco Opera's 2011-12 Season

San Francisco Opera (SFO) just announced its 2011-12 season of nine operas.  It has novelties along with the usual suspect of Puccini.

I could say much more about the line-up but will confine my discuss to the two observations I made.

First, SFO will present an opera by Handel - always a cause for celebration - Serse (or Xerxes).  However, the timing is rather curious.  San Francisco Bay Area just was treated a wonderful production of Serse by Berkeley West Edge Opera in November 2010.  Why such overlapping?  Shouldn't the regional art institutes coordinate in a better manner?  Considering that there were more than 40 operas to Handel's credit and SFO has only presented six Handel's operas, one would hope that SFO would have chosen to present another masterpiece of Handel, and present this Serse in a couple year's time.  Or Berkeley West Edge Opera should have learned the long-planned SFO season and present other opera rather than Serse last year.

Second, Mozart's Don Giovanni returns.  Yes, it is a masterpiece.  Yes, it has terrific music and great dramatic strength.  But so often?  Last presentation of Don Giovanni at SFO was in June 2007.  Considering that another Mozart is offered in this season as well.  If must be an easy one, why not Rossini, Strauss, Bellini?  More curiously, the previous production which just got ditched was a new one then to SFO, credited to David McVicar.  This year, we are to have another new production.  Why so soon to replace the last one, which was unfailingly musical, dramatic and thought-provoking, and despite its relentless gloom and austerity, it was hugely exciting.  Unless the financial sheets stated otherwise, I thought that it was a hit.  If a new production is a terrible misfire, I can understand the need to have it replaced as soon as possible.  But why this one?  You'd think that SFO is drowning in the sea of checks from donors large and small.

San Francisco Opera _8750