Showing posts with label Greek Mythology. Show all posts
Showing posts with label Greek Mythology. Show all posts

Saturday, January 20, 2018

My Featured Painting - "Paris and Three Goddesses"

One of my attempts to capture fleeting impressions of well-known Greek mythologies resulted in an abstract painting Paris and Three Goddesses, whose pink and golden color blocks in the background signified the dangerous intermingle of the mortal and immortal worlds. Three powerful goddesses, Hera, Athena and Aphrodite, were represented by three richly colored powerful beams, which penetrated the human world below, while circling like sharks of their prey a small globe — the golden apple, to be awarded to the most beautiful one, planted by the spurned goddess of discord.

Poor Paris, represented by the golden color associated with another golden male beauty Apollo, was pinned down by those powerful beams above, and responded with blue sparks, echoing the beam of Aphrodite alone, risking the wrath of Hera and Athena, for the sake of the most beautiful woman on earth, the Queen of Spartan Helen, the promised bribery from goddess of love, and eventually launched thousand ships and unleashed the ten-year Greco-Trojan war, and caused unspeakable misery for many, many more.

Little ones are perennial pitiful playthings of the powerful ones.

Paris and Three Goddesses / 帕里斯和三位女神 / Paris und drei Göttinnen
Paris and Three Goddesses

Oil on Canvas
14" x 11"
Completed in 2012

This painting is currently in a Group exhibition Color Speaks (Sep. 23, 2017 - Jan. 20, 2018), in Downtown Berkeley’s vibrant art district.

Originally posted on matthewfelixsun.com

Other Related posts on Art · 文化 · Kunst:
- My Featured Painting - Colony
- My Featured Painting - New Century's Shangri-La
- My Featured Painting - Procession
- Featured Painting - Waft
- Featured Painting - Remembrance
- Featured Painting “Mirage” – A World of Ambiguity
- Featured Painting – “Forest Within” – When Reality Met Illusion

Sunday, June 9, 2013

Niobe - An Installation

I have always been drawn to tragic stories, particularly those of cosmic grandeur, often with Greek origins.  The legend of Niobe, a proud princess and mother of fourteen children, seven sons and seven daughters (the Niobids), who boasted of her large family and jeered at goddess Leto, who had only two children, the twins Apollo and Artemis, resulting in unbearable tragedy, was one of my favorites.

Gods were not to be mocked at and the offended Leto sent her children to revenge her honor.  Apollo and Artemis started to shoot arrows and killed Niobe’s sons and daughters one by one.  Niobe’s plea to spare at least one daughter came too late, and none of her fourteen children were spared.  The loss was so great, the grief so heavy, that Niobe turned into stone, yet even the stone continued to weep tears.


The Weeping Rock in Mount Sipylus, Manisa, Turkey, has been associated with Niobe's legend since Antiquity, Source: RKTanitim

Since I started my “White Dress” series, I have been exploring the expressive possibilities of this motif and the results often took me by surprise, and further fanned my curiosity, and wanted to probe ever further.

Though my recent well-received “Stringed White Dresses – An Installation” was a success, I felt that the origami dresses in that installation were too prim, too orderly.  I wanted to create something more chaotic.  For the composition, I imagined a large dress, like a queen bee, surrounded by smaller ones; this fit the Niobe story perfectly.
After several attempts, I decided on the sizes of the dresses and chose white dresses to represent female and grey to represent male characters.  Before I folded the origami dresses, I crumpled the paper to give them a more lively look.  I put black ink and brown wash on paper to create the chaos in the background, some areas were covered with white oil wash to enrich the texture and to give more contrast to the dresses taped over the drawing paper, and finally some yellow oil streaks to suggest the ungodly gods’ touches.

To finish the entire assemblage, I pinned the little daughter Niobe tried to save onto her with a needle. Finally, I freely splashed black ink over the ensemble, and that constituted my final touch.


Niobe / 尼俄柏 / Niobe


Other Related posts on Art · 文化 · Kunst:
- Unexpected Successes of "Stringed White Dresses - An Installation"
- "White Dress" Series Continues - A New Drawing and a New Painting
- One More Painting Featuring White Dress
- My Next Show - Prince Street Gallery, Chelsea, New York
- White Dresses - First Painting Finished in 2011

Tuesday, February 21, 2012

The Eyes of Electra - A New Drawing

Currently, I'm experimenting spatial relationship and geometric patterns in a series of Greek Mythology paintings, including themes on Helen, Paris, Orestes, Electra and Oedipus.

While making the time-consuming oil paintings, I made some drawing studies in various finished degrees.  Below is the one for Electra - The Eyes of Electra.  I image that her bloodshot eyes are lurking behind every corner of the dark, cold and unfriendly palace of Mycenae, Greece, and plotting the death of her vengeful mother and her lover who had murdered her father.

The Eyes of Electra _ 0284

This drawing does not have the nightmarish feel my oil painting has but has a certain clarity the painting lacks.  A reasonable compromise, I think.



Tag: Greek Abstract