Today is the anniversary of the great French painter Édouard Manet (23 January 1832 – 30 April 1883).
Amongst the late 19th century French painters, my favorite is Édouard Manet, who was sometimes included in the category of Impressionist. Actually, I cannot really call him an impressionist, though he did live and was active during the time when Impressionism emerged and he did play a pivotal role in the transition from the Realism to Impressionism.
According to Wikipedia, "his early masterworks The Luncheon on the Grass and Olympia engendered great controversy, and served as rallying points for the young painters who would create Impressionism. Today these are considered watershed paintings that mark the genesis of modern art."
I love the somber tones of his works, versus the insistent sunny effects of many impressionism practitioners chase after. His characters, even in close grouping, are lost in their own world. An overwhelming melancholy is always palpable. His masterly utilizing the color black is justly celebrated and has never been surpassed.
Portrait of Berthe Morisot
The Fifer
The Balcony
Bar Girl
Baudelaire's Mistress, Reclining
When he suffered paralysis in his late life, he painted many still life paintings. Though small in scale, nothing else emitting from those canvases was small.
The Lemon
Friday, April 30, 2010
Thursday, April 29, 2010
Chinese Painter SONG Yügui 宋雨桂
I did not get good education on how to appreciate Chinese paintings, therefore, I am more inclined to visit oil painting galleries than those showcasing Chinese traditional paintings. However, I am very interested on one modern Chinese master - SONG Yügui 宋雨桂. I had the pleasure of meeting him when he and my father worked in the same office - Culture and Art Creation Office of Liaoning Province in the 1970s. It was a shame that I didn't learn to appreciate his art till much later and declined his offer to be my teacher. Thanks to the internet, though I won't be able to attend Christie's auctions, I can still appreciate his art now.
Spring Mountain, Song Yügui, 90 x 88 cm
Pear Flower Brook, SONG Yügui, 53 x 45 cm
Lotus, Song Yügui, 77 x 52 cm
Spirit of Plum, Song Yügui, 143 x 74 cm
Panorama, Song Yügui, 68 in x 163 in
Spring Mountain, Song Yügui, 90 x 88 cm
Pear Flower Brook, SONG Yügui, 53 x 45 cm
Lotus, Song Yügui, 77 x 52 cm
Spirit of Plum, Song Yügui, 143 x 74 cm
Panorama, Song Yügui, 68 in x 163 in
Labels:
Song Yügui,
宋雨桂
Wednesday, April 28, 2010
Paintings from Imperial Palace Museum, Shenyang, China
I mentioned before that art museums in China do not sell catalogs or postcards. One of the exception was the Imperial Palace Museum in Shenyang, which is one of the UNESCO World Heritage Sites. This palace served as seat of the Manchu Dynasty before they moved to Beijing. It is older and smaller than that of Forbidden City, but it has more nomadic character and still boast some stellar collections of artwork and artifacts.
I have a set of postcards, featuring the selections of paintings of the museum:
Bamboo and Parrot - LÜ Ji (Ming Dynasty)
Boating in Autumn - SHEN Zhou (Ming Dynasty)
Pine and Rock - XIANG Shengmo (Ming Dynasty)
Bodhidharma - DING Yunpeng (Ming Dynasty)
Bamboo - ZHENG Xie (Qing Dynasty)
Precipice and Pine - WU Li (Qing Dynasty)
Hound Under the Shade of Bamboo - LANG Shining (Giuseppe Castiglione) (Qing Dynasty)
Study in Autumn Grove - WANG Hui (Qing Dynasty)
I have a set of postcards, featuring the selections of paintings of the museum:
Bamboo and Parrot - LÜ Ji (Ming Dynasty)
Boating in Autumn - SHEN Zhou (Ming Dynasty)
Pine and Rock - XIANG Shengmo (Ming Dynasty)
Bodhidharma - DING Yunpeng (Ming Dynasty)
Bamboo - ZHENG Xie (Qing Dynasty)
Precipice and Pine - WU Li (Qing Dynasty)
Hound Under the Shade of Bamboo - LANG Shining (Giuseppe Castiglione) (Qing Dynasty)
Study in Autumn Grove - WANG Hui (Qing Dynasty)
Labels:
China,
Chinese Painting,
Imperial Palace,
Shenyang
Tuesday, April 27, 2010
The Evolution of St. George in Visual Art
Saint George is an iconic figure in the western culture and have been depicted by many visual artists, from middle age to present day.
Independent published a fascinating article on the patron saint of England - Saint George: The many changing faces of St George (By Matilda Battersby). The article recorded the changes took place tracing back to 1470. Battersby said that "While the list is by no means exhaustive, it contains some of the best and most interesting works, and should provide a bit of insight into ideas of a legendary man thought to have slain a dragon."
St George German Altarpiece, 1470
The Beheading of St George, Padua Master, date unknown, chapel built in 1370s
George and the Dragon, Raphael, 1504
St. George and the Dragon, Raphael, c 1505
St Georg Woodcut, 1515
Killing the Dragon, Paris Bordone, 1550s
St. George and the Dragon, Tintoretto, 1560
The Martyrdom of St. George, Veronese, 1564
The Torture of St George, Michael Coxcie, c 1580
Perseus by Pierre Mignard,1679, similar to traditional representations of St George
St George Slaying the Dragon, undated print
St George slaying the dragon, 19th century engraving
St George Slaying the Dragon, Gustave Moreau, 19th Century
St George and the Dragon, Franz Pforr, 1811
Engraving by W Roffe after a drawing by F Roffe, circa 1850
The four patron saints of Great Britain, 2nd from left is St George of England, c 1850
Hl. Georg, August Macke, 1912
This top attracted me as well. In 2003, I produced a painting named The Triumph of Saint George:
Independent published a fascinating article on the patron saint of England - Saint George: The many changing faces of St George (By Matilda Battersby). The article recorded the changes took place tracing back to 1470. Battersby said that "While the list is by no means exhaustive, it contains some of the best and most interesting works, and should provide a bit of insight into ideas of a legendary man thought to have slain a dragon."
St George German Altarpiece, 1470
The Beheading of St George, Padua Master, date unknown, chapel built in 1370s
George and the Dragon, Raphael, 1504
St. George and the Dragon, Raphael, c 1505
St Georg Woodcut, 1515
Killing the Dragon, Paris Bordone, 1550s
St. George and the Dragon, Tintoretto, 1560
The Martyrdom of St. George, Veronese, 1564
The Torture of St George, Michael Coxcie, c 1580
Perseus by Pierre Mignard,1679, similar to traditional representations of St George
St George Slaying the Dragon, undated print
St George slaying the dragon, 19th century engraving
St George Slaying the Dragon, Gustave Moreau, 19th Century
St George and the Dragon, Franz Pforr, 1811
Engraving by W Roffe after a drawing by F Roffe, circa 1850
The four patron saints of Great Britain, 2nd from left is St George of England, c 1850
Hl. Georg, August Macke, 1912
This top attracted me as well. In 2003, I produced a painting named The Triumph of Saint George:
Labels:
Saint George
Monday, April 26, 2010
Beautiful Stairwell
Beautiful buildings usually have many details to savor. Last weekend, I was happy to walk through this stairwell - simple, functional and elegant:
Labels:
Architecture
Sunday, April 25, 2010
Saturday, April 24, 2010
Thoughts on Originality
I'm not the most original person in the world. I amuse myself with constantly shifting interests, which satisfies but deprives me the ability to dive deeper.
In the post-modern (whatever it means) world, originality seems to some the sole criteria of artistic achievement, which should not be. One can have much to say without falling into banality, even if not most original. Many of these works are to be treasured, meanwhile there are many people strive to achieve originality which often result in creating something best described as rubbish.
Truly great who broke boundary by leaps are rare. The best example is Giotto di Bondone.
Flight into Egypt, Giotto
The Massacre of the Innocents, Giotto
Once a boundary is broke, the greats had to follow the rules they laid out to create a body of work to make a statement - otherwise the instantly recognizable Van Gogh or Warhol are not to be, and their impact would be much smaller.
Starry Night, Van Gogh
Wheat Field, Van Gogh
Banana, Andy Warhol
Marilyn, Andy Warhol
Sometimes, the originality comes with the utilizing a new technique, new media, or new perspective.
My painting Devils' Dance - created around the time George W. Bush was drumming up to invade Iraq and quashing civil liberties in the US - was not the most original painting depicting dance. Actually, the images of the dancers were borrowed from the famous Dance by Henri Matisse. My painting was also not the most original depicting book burnings with bonfire, neither was the attempt to modify existing iconic images to suit new messages or needs. But the specific way I deployed was unique to me at the particular moment for a particular message and mood I tried to convey. Despite the fact that large portion of these two paintings were similar, the stark contrast between the original message and the new one was pronounced and poignant, therefore, I dare say this painting was a success.
Devils' Dance, Matthew Felix Sun
Dance, Henri Matisse
In the post-modern (whatever it means) world, originality seems to some the sole criteria of artistic achievement, which should not be. One can have much to say without falling into banality, even if not most original. Many of these works are to be treasured, meanwhile there are many people strive to achieve originality which often result in creating something best described as rubbish.
Truly great who broke boundary by leaps are rare. The best example is Giotto di Bondone.
Flight into Egypt, Giotto
The Massacre of the Innocents, Giotto
Once a boundary is broke, the greats had to follow the rules they laid out to create a body of work to make a statement - otherwise the instantly recognizable Van Gogh or Warhol are not to be, and their impact would be much smaller.
Starry Night, Van Gogh
Wheat Field, Van Gogh
Banana, Andy Warhol
Marilyn, Andy Warhol
Sometimes, the originality comes with the utilizing a new technique, new media, or new perspective.
My painting Devils' Dance - created around the time George W. Bush was drumming up to invade Iraq and quashing civil liberties in the US - was not the most original painting depicting dance. Actually, the images of the dancers were borrowed from the famous Dance by Henri Matisse. My painting was also not the most original depicting book burnings with bonfire, neither was the attempt to modify existing iconic images to suit new messages or needs. But the specific way I deployed was unique to me at the particular moment for a particular message and mood I tried to convey. Despite the fact that large portion of these two paintings were similar, the stark contrast between the original message and the new one was pronounced and poignant, therefore, I dare say this painting was a success.
Devils' Dance, Matthew Felix Sun
Dance, Henri Matisse
Labels:
Giotto,
Matisse,
Originality,
Van Gogh,
Warhol
Subscribe to:
Posts (Atom)