I saw a few canvases of of Constable in Fitzwilliam Museum, Cambridge and National Gallery, London. I really admired his country scenes - they provided mood and set the scene and they told stories.
But I admired Courbet even higher. Constable pacifies me while Courbet excites me. Of course there will be exceptions. Some Turner-like paintings by Constable give me shiver as well.
For Constable, figures were more decorative though with their stories to tell but Courbet saw them as objects of interests. Could anyone forget Bonjour, Monsieur after just a glimpse? Would one not be crushed by his massive waves?
Constable:
Wivenhoe Park, Essex (1816)
The Hay Wain (1821)
Seascape Study with Rain Cloud (c. 1824)Courbet:
Bonjour, Monsieur Courbet (1854)
Plage de Normandie (c. 1872/1875)
Wave (1860s)
