Wednesday, August 3, 2016

My Favorite Sculptures at Palazzo Municipale in Ferrara, Italy

During my brief day trip to Italian city Ferrara, I admired two bronze sculptures on top of the arch entrance to its Palazzo Municipale (City Hall) — Arco del Volto del cavallo (Arch of Horse Front).

DSCN3700 _ Duca Borso d'Este & Marchese Niccolo III d'Este outside the entrance arch - the Volto del Cavallo to Palazzo Municipale, Ferrara, 17 October

On the left, there was the seated statesman Duca Borso d'Este & Marchese Niccolo III d'Este and on the right, equestrian sculpture of Marchese Niccolo III d'Este. 

DSCN3747 _ Statue of Duca Borso d'Este (l) and Marchese Niccolo III d'Este (r), Palazzo Municipale, Ferrara, 17 October

Of these two equally impressive sculptures, the more flamboyant equestrian made more immediate impressions.

DSCN4068 _ Statue of Borso d'Este (seated), Palazzo Municipale, Ferrara, 17 October

The overt masculinity and grandeur was reflected with his insolent expression, his immobile pose, and his easy on the schlepping charger. The silhouette of the powerful horse and the rider was as solid as a mountain, as if nothing could challenge and stop his marching supremacy.

DSCN4030 _ Statue of Marchese Niccolo III d'Este, Palazzo Municipale, Ferrara, 17 October
Marchese Niccolo III d'Este

DSCN4025 _ Statue of Marchese Niccolo III d'Este, Palazzo Municipale, Ferrara, 17 October

The seated Duca Borso d'Este, on the contrary, was all self-confident serenity, radiating innate strength, as if so confident of his divine invested power that he needed no military poses and trappings to uphold his control over his domain.

DSCN3700 _ Duca Borso d'Este outside the entrance arch - the Volto del Cavallo to Palazzo Municipale, Ferrara, 17 October (detail)
Duca Borso d'Este

DSCN3747 _ Statue of Duca Borso d'Este (l) and Marchese Niccolo III d'Este (r), Palazzo Municipale, Ferrara, 17 October (detail)


My Favorite Museum Collection Series
>> My Favorite Museum Collection Series 124: My Favorite Paintings at Castello Estense, Ferrara, Italy
<< My Favorite Museum Collection Series 122: My Favorite Artworks at Duomo in Ferrara, Italy

List of My Favorite Artworks in the Museums I've Visited

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Sunday, July 31, 2016

My Favorite Artworks at Duomo in Ferrara, Italy

My brief excursion from Bologna to Ferrara led me to the wonderful Duomo, whose distinct façade of triple gables immediately brought me to a purified world of classicism.

DSCN3750 _ Cattedrale di San Giorgio (Duomo), Ferrara, 17 October

DSCN3748 _ Cattedrale di San Giorgio (Duomo), Ferrara, 17 October

True to the expectation, my favorite sculpture inside was a sculpture of a bishop (and a saint?) standing in a niche with minimal decoration.  The most striking feature was the resolute and clean lines of the soaring figure, reminiscent the works of the great Bernini, such as his masterpiece of "Ecstasy of Saint Teresa", though much less florid and baroque.

DSCN3714 _ Cattedrale di San Giorgio (Duomo), Ferrara, 17 October

I also really liked a fresco of Saint Michael of similar narrow shape. The interplay of ethereally pale blue and pink hues was wonderfully subtle and satisfying, forming and contrasting the saint, who, even engaged in battle, never lost his balance and grace.  Utterly enchanting.

DSCN3730 _ Cattedrale di San Giorgio (Duomo), Ferrara, 17 October


My Favorite Museum Collection Series
>> My Favorite Museum Collection Series 123: My Favorite Sculptures at Palazzo Municipale in Ferrara, Italy
<< My Favorite Museum Collection Series 121: My Favorite Paintings at Palazzo D'Accursio (Palazzo Comunale), Bologna

List of My Favorite Artworks in the Museums I've Visited

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Wednesday, July 27, 2016

My Favorite Paintings at Palazzo D'Accursio (Palazzo Comunale), Bologna


DSCN5049 _ Palazzo Comunale, Piazza Maggiore, Bologna, 18 October

The Palazzo D'Accursio (Palazzo Comunale) in Bologna hosted a large museum with amazing art collections.  Among numerous interesting works, I found two portraits most engaging.

One was "Ritratto di vecchino (Portrait of an Old Man)" by Jacopo Robusti, known as Tintoretto.  This portrait presented a robust old man with a striking set of abundant white beard, contrasting and echoing the black cap atop his broad forehead.  The unwavering, penetrating, yet not-unkind gaze of this old man told all we needed to know about this steadfast character - a general? a statesman? or a successful seafaring merchant?  Whoever he might have been, he commanded our respect. A sliver of outside world at the edge of the painting indicated his adventures beyond the serenity of old age.

DSCN4722 _ Ritratto di vecchino, Jacopo Robusti, detto il Tistoretto, Palazzo D'Accursio (Palazzo Comunale), Bologna, 18 October
Ritratto di vecchino, Jacopo Robusti, detto il Tintoretto (1518-1594)

My second favorite was "Suntto per la testa di Gian Galeazzo (Sketch of the Head of Gian Galeazzo)" by Bologna's native son, Pelagio Palagi, whose fluid rendition of the melancholic young man captured his intelligence and sensitivity tenderly and economically. Even in this perhaps unfinished state, this portrait was just as full-bodies as any extra layers of paints and varnish could provide.

DSCN4750 _ Suntto per la testa di Gian Galeazzo, Pelagio Palagi, Palazzo D'Accursio (Palazzo Comunale), Bologna, 18 October
Suntto per la testa di Gian Galeazzo, Pelagio Palagi (1775-1860)


My Favorite Museum Collection Series
>> My Favorite Museum Collection Series 122: My Favorite Artworks at Duomo in Ferrara, Italy
<< My Favorite Museum Collection Series 120: My Favorite Artworks at Basilica Santuario Santo Stefano, Bologna


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Sunday, July 24, 2016

My Favorite Artworks at Basilica Santuario Santo Stefano, Bologna


DSCN4989 _ Basilica Santuario Santo Stefano, Bologna, 18 October

DSCN4979 _ Basilica Santuario Santo Stefano, Bologna

Basilica Santuario Santo Stefano, the oldest church in Bologna, was very atmospherically evocative and romantic, and the many unique artefacts in its often darkish chambers added much allure. 

The artwork left the strongest impression on me was a small plate of relief on the exterior of its nave, featuring three primitive looking figures with haloed heads resembling astronauts' in headgear, and  stiffly raised hands sending signals of warning or blessing. The central figure, the only seated one, held a commanding upright staff with a cross top, which dissected the plate into two uneven parts, lending some dynamism to this restrained tableau. These rigid figures, perhaps Jesus and his disciples, in their strange garbs, along with their enormous and somewhat stunned eyes, formed a society beyond our worldly reach.

DSCN4976 _ Basilica Santuario Santo Stefano, Bologna, 18 October

My second favorite was a fresco painting of some wild or domestic animals accented with some scrolls, like an early day almanac, whose pale inviting atmosphere, coloration, and the wonderful sense of continuity and unity were particularly appealing.

DSCN4957 _ Basilica Santuario Santo Stefano, Bologna, 18 October


My Favorite Museum Collection Series
>> My Favorite Museum Collection Series 121: My Favorite Paintings at Palazzo D'Accursio (Palazzo Comunale), Bologna
<< My Favorite Museum Collection Series 119: My Favorite Monuments at Il palazzo dell'Archiginnasio, Bologna

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Thursday, July 21, 2016

Featured Painting – “Forest Within” – When Reality Met Illusion

My 2005 oil painting Forest Within, currently showing at the McGuire Real Estate gallery in Berkeley as part of the “Crowded by Beauty” exhibit, is a play of optical illusion - the painting is a seemingly outdoor scene, yet the landscape is framed within a boxy confinement, and beams of light cast from behind and the shadows fall on the real or imaginary wall further enhances the blur of the boundary, where interior met exterior, reality met illusion.

Forest Within /  内置森林 / Innerhalb Wald  

Forest Within Oil on Canvas 24" x 30" Completed in 2005


Originally posted on matthewfelixsun.com

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Monday, July 18, 2016

My Favorite Monuments at Il palazzo dell'Archiginnasio, Bologna


DSCN4385 _ Il palazzo dell'Archiginnasio

Il palazzo dell'Archiginnasio (The Palace of Archeology) in Bologna is a fantastical enclosed palatial building, whose corridors are adorned with numerous decorative emblems, all of them can be viewed as relief sculptures.

DSCN4558 _ Il palazzo dell'Archiginnasio

My favorite was a monument of a tower wrapped by a snake and topped by a huge cross. I didn't like stare at that animal and couldn't decipher the exact meaning of the symbol, other than it resembled a reverse caduceus; but it stood out in the pack.

DSCN4414 _ Il palazzo dell'Archiginnasio

My second favorite was a dark stele flanked by two semi-nude females at the base, and furthered augmented by some colorful small coats of arms in formation, and as a whole, they resembled fancy peahens.

DSCN4392 _ Il palazzo dell'Archiginnasio


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>> My Favorite Museum Collection Series 120: My Favorite Artworks at Basilica Santuario Santo Stefano, Bologna
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